Sound is the most direct way to physically experience an alternate future unfolding.
the electronic music studio as a time machine / spaceship paradigm
sounds describing nonexistent spaces, made kinetic by immersion, evoking physiology
mutating through networks and fracturing across recursive processes - embedding in laminations, clustering in grains, accreting around an accident, layering past & present
investigating multichannel and nonlinear listening modes, the dance of systems, synchronicities between light, movement and sonic gesture
CHRONOLOGY
Current : Live hardware & video projection as Haptic Syntax. Studio collaborations developing electronic composition, multichannel installation & immersive sound environments. Documentary video in art, nonprofit, & community contexts - see Paradise Meow.
2015 – 2025 : Collaborations with choreographers, installation artists & galleries. Releases on Auf Abwegen, Opal Tapes, Stellage, & 15 Minutes of Anonymity. Continued teaching as an extension of creative practice. Performance videography & documentary production.
2005 – 2015 : Collaborations with dance & theater companies. Releases on Cut, Sonoris, Senufo Editions, & Draft. MFA in Music/Sound, Bard College — studying with Maryanne Amacher, Pauline Oliveros, & others. Curriculum development & teaching in experimental sound & video art.
1995 – 2005 : Debut release on Kaon (FR) — Tracing the Skins of Clouds — built from recordings of dragged plate glass, long lumber, bowed metal. Collaborative recordings & performances with sound artists & composers. Contributions to N D magazine. Releases on Sedimental, …edition, Intransitive, & Alluvial.
1985 - 1995 : Experiments with four-track cassette, tape recorders, record players, objects.
b. 1973
